{"id":41,"date":"2021-04-29T06:35:10","date_gmt":"2021-04-29T06:35:10","guid":{"rendered":"http:\/\/arthistory.tv\/play\/?page_id=41"},"modified":"2021-05-06T17:44:31","modified_gmt":"2021-05-06T17:44:31","slug":"art-and-psychoanalysis-focus","status":"publish","type":"page","link":"http:\/\/arthistory.tv\/play\/art-and-psychoanalysis-focus\/","title":{"rendered":"Art and Psychoanalysis – Focus"},"content":{"rendered":"\n
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This is the true story of Dr. Carl Jung's descent into the depths of his psyche. Support my work and the Creative Codex vision on ...<\/p>\n \n

\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UC9xwt3hz49VBbgqN80driTQ_NM0GkVi0TSg<\/span>\n

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\n\t\t\tThe Red Book: The Divine Madness of Dr. Carl Jung<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n October 14, 2025 2:00 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \"art\n\n
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#art #zizek #biennale #psychoanalysis
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\nWatch the full discussion with a free trial at https:\/\/iai.tv\/video\/the-life-and-philosophy-of-slavoj-zizek?utm_source=YouTube&utm_medium=description&utm_campaign=short1
\n
\nThe Institute of Art and Ideas features videos and articles from cutting edge thinkers discussing the ideas that are shaping the world, from metaphysics to string theory, technology to democracy, aesthetics to genetics. Subscribe today! https:\/\/iai.tv\/subscribe?utm_source=YouTube&utm_medium=description&utm_campaign=the-life-and-philosophy-of-slavoj-zizek<\/p>\n \n

\n \n <\/path><\/svg> 14.3K<\/span>\n <\/span>\n \n <\/path><\/svg> 248<\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCTsiZiMomJo6FOyiBaFeaIw_cBpENf7NRTg<\/span>\n

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\n\t\t\tThe hypocrisy of art biennales | Slavoj \u017di\u017eek<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 390.8K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n November 29, 2023 5:00 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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Die Dokumentation begibt sich auf eine visuell eindrucksvolle Reise, um das Leben und Denken Sigmund Freuds zu ergr\u00fcnden.<\/p>\n \n

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\n\t\t\tOutsider. Freud. | Doku HD | ARTE<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"Our\n\n
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Our mission is to re-imagine psychology for the 21st century through connection, exploration, and innovation.
\nhttps:\/\/stillpoint.org\/
\n
\nInstagram: https:\/\/www.instagram.com\/stillpointhq\/
\nFacebook: https:\/\/www.facebook.com\/StillpointHQ
\nTwitter: https:\/\/twitter.com\/StillpointHQ
\nLinkedIn: https:\/\/www.linkedin.com\/company\/stillpointhq
\n
\n---
\n
\nHere, in the first of a four-part series exploring Freud's peculiar intimacy with the arts, Dr. Aleksandar help us consider the duality of science and aesthetics in Freud's work.
\n
\nSigmund Freud\u2019s work is deeply infused by his fascination for the artistic take on humanity. Not only can his style of writing be intensely lyrical in a way that escapes most other scientists, metaphors and references of the arts emerge throughout all of his writings.
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\nAleksandar Dimitrijevic, PhD, is a clinical psychologist, psychoanalyst, and lecturer at International Psychoanalytic University - IPU Berlin.<\/p>\n \n

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\n\t\t\tFreud and the Arts: Lecture I<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"Entrevista\n\n
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Entrevista conduzida por Ismael Oliveira com Christian Dunker sobre as fronteiras entre Arte e Psican\u00e1lise analisando temas importantes sobre a produ\u00e7\u00e3o art\u00edstica e as correspond\u00eancias com teorias an\u00e1liticas.
\nPara saber mais sobre alguns assuntos da entrevista acesse capitulos do "Falando Nisso" de Christian Dunker :
\n- sobre objeto a : https:\/\/www.youtube.com\/watch?v=zGD5Z5LBDW8
\n- sobre o sistema RSI : https:\/\/www.youtube.com\/watch?v=aokkRvErfvM
\n- sobre os n\u00f3s borromeanos : https:\/\/www.youtube.com\/watch?v=1i8XrMmWA4A
\n
\nwww.ismaeloliveira.art.br
\n@ismael.g.oliveira
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\n#arte #psicanalise #artecontemporanea #lacan #freud #objetoa #rsi #noborromeau #entrevista #artemoderna #surrealismo<\/p>\n \n

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\n\t\t\tEntrevista Christian Dunker Arte e Psican\u00e1lise ( Interview Art & Psychoanalysis)<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"http:\/\/www.egs.edu\/\n\n
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http:\/\/www.egs.edu\/ Bracha L. Ettinger, Israeli-French psychoanalyst, painter, artist and feminist theorist, discussing her paintings, notebooks and work on the matrixial borderspace, trans-subjectivity, co-poiesis and trauma. She describes the relation between her artistic practice and psychoanalytic practice. Bracha L. Ettinger at a public open lecture for the students of the European Graduate School EGS, Media and Communication Studies department program, Saas-Fee, Switzerland, Europe, 2007
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\r\nBorn in Tel Aviv (and of Israeli and British nationality), Bracha L. Ettinger received her Ph.D. in Aesthetics of Art from the University of Paris VIII, a D.E.A. in Psychoanalysis from the University of Paris VII, and an M.A. in Clinical Psychology from the Hebrew University of Jerusalem. She is the Marcel Duchamp Professor of Psychoanalysis and Art at the Media & Communications Division, European Graduate School (EGS), Saas-Fee. She lives in Paris.
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\r\nBracha L. Ettinger presents an original theoretical exploration of shared affect and emergent expression, across the thresholds of identity and memory. Ettinger works through Lacan's late works, the anti-Oedipal perspectives of Deleuze and Guattari, as well as object-relations theory to critique the phallocentrism of mainstream Lacanian theory and to rethink the masculine-feminine opposition. She replaces the phallic structure with a dimension of emergence, where objects, images, and meanings are glimpsed in their incipiency, before they are differentiated. This is the matrixial realm, a shareable, psychic dimension that underlies the individual unconscious and experience. Professor Ettinger is author of several books and more than seventy psychoanalytical essays on what she has named matrixial trans-subjectivity.
\r\n
\r\nBracha L. Ettinger is the author of The Matrixial Borderspace (2006), Thinking the Feminine (2004), The Matrixial Gaze (1995), Lictenberg Ettinger, Bracha. Matrix-Borderlines (1993), Matrix: A Shift Beyond the Phallus (1993), and co-authored Bracha Lichtenberg Ettinger: Artworking: 1985-1999 (2000), 3x An Abstraction: New Methods of Drawing by Hilma af Klint, Emma Kunz, and Agnes Martin (2005), What Would Euridyce Say? with Emmanuel Levinas (1997), A Threshold Where We Are Afraid with Edmund Jab\u00e8s (1993) and Time is the Breath of the Spirit (1993) with Emmanuel Levinas.
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\r\nBracha L. Ettinger has exhibited her painting and artwork The Royal Museum of Fine Art, Antwerp (Gorge(l), 2006), KIASMA Museum of Contemporary Art, Helsinki (ARS 06 Biennale, 2006), Villa Medici, Rome, (Memory, 1999), Stedelijk Museum, Amsterdam (Kabinet, 1997), The Pompidou Center (Face \u00e0 l'Histoire, 1997), with solo exhibitions in the Drawing Center, NY, 2001; The Palais des Beaux Arts in Brussels (2000); Museum of Art, Pori (1996); The Israel Museum, Jerusalem (1995); the Museum Of Modern Art (MOMA), Oxford; The Russian Museum, St. Petersburg (1993); Le Nouveau Mus\u00e9e, Villeurbanne; (1992) and the Mus\u00e9e des Beaux-Arts, Calais (1988).<\/p>\n \n

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\n\t\t\tBracha Ettinger. Psychoanalysis and Matrixial Borderspace. 2007 1\/11<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 19.9K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n July 19, 2007 11:16 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\u0421\u043f\u0438\u0441\u043e\u043a \u0432\u0435\u0431\u0438\u043d\u0430\u0440\u043e\u0432, \u043b\u0435\u043a\u0446\u0438\u0439 \u0438 \u0448\u043a\u043e\u043b \u041e\u043b\u044c\u0433\u0438 \u0414\u0435\u043c\u0447\u0443\u043a, \u0432\u0438\u0434\u0435\u043e-\u0437\u0430\u043f\u0438\u0441\u044c \u043a\u043e\u0442\u043e\u0440\u044b\u0445 \u043c\u043e\u0436\u043d\u043e \u043f\u0440\u0438\u043e\u0431\u0440\u0435\u0441\u0442\u0438 https:\/\/olgademchuk.org\/vitrina ...<\/p>\n \n

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\n \n \"The\n\n
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The story of Viscardi's ten year journey in psychoanalysis through song, poetry and monologue. This project was conceived and ...<\/p>\n \n

\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCUsVOZd9S44MLHPKfty3xcQ_NBZFk98ZELU<\/span>\n

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\n\t\t\tTenebre's Tale: A Musical Journey Through Psychoanalysis<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n July 18, 2024 4:06 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \"Download\/Stream:\n\n
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Download\/Stream: https:\/\/tommyboyrecords.lnk.to\/PrincePaul_PsychoanalysisWE
\n
\n************************************
\n
\nTommy Boy Records is a legendary Hip Hop & Electronic record label founded in New York City in 1981. The label is credited with launching the careers of notable legends Queen Latifah, House of Pain, Coolio and Naughty By Nature.
\n
\n************************************
\n
\nFollow\u00a0Tommy Boy\u00a0Records:
\nhttps:\/\/tommyboyrecords.lnk.to\/instagram
\nhttps:\/\/tommyboyrecords.lnk.to\/Twitter
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\nhttps:\/\/tommyboyrecords.lnk.to\/Spotify
\nhttps:\/\/tommyboyrecords.lnk.to\/Soundcloud
\nSubscribe to the mailing list:\u00a0https:\/\/tommyboy-records.com\/
\n
\n************************************
\n
\n#TommyBoyRecords #HipHop #PrincePaul
\n
\n
\nLyrics:
\nYa, ya
\n
\nI was, I listened, to the, to the, to the, dee-fee, dee-fee, you know, the De La album. I do music. And, I kind of do that, that, that outtake stuff, kind of like De La do. And, and, I like Prince Paul stuff, and I know that you know him (ya, ya) so could you hook me up? So I can meet him, and uh, you know, be like an apprentice, of Prince Paul (ya). And he said, "yeah man, sure". So, 'cause he said I was kind of a happenin' guy, 'cause I look a little weird, I had delivered a baby and, and, and the mother didn't want it, she was trippin', she was like, "ah nah", she said she didn't know she was pregnant, she's full of shit though, she was all high on heroin. And she was like "nah man, I don't wanna, I don't wanna, I'm not going to the hospital, you take the baby, you go ahead, and I'ma stay here". So we took the baby, like, I think it was my next door neighbor, and I was (ya, ya), five or six, this girl she said somethin', and I hit her with a wiffle ball bat. She said, what'd, what'd she say, she said "we all gonna die anyway". Is that some shit or what? I ain't tryin' to fuck nobody who talkin' 'bout "we all gonna die anyway", so I ain't usin' no condom, 'cause I don't get no girls, I gets no ass. It's fucked up when you don't get no ass. Before I cum, one of my nuts, gets sucked up inside to my stomach. Is that, is that what, what, what kind of happens to you before you get a hernia or somethin' like that? They just think I'm a little, ah, stupid (ya, ya). Maybe a little, strange. But that's 'cause they don't no me
\n
\n#TommyBoyRecords #HipHop #PrincePaul #HipHop50<\/p>\n \n

\n \n <\/path><\/svg> 136<\/span>\n <\/span>\n \n <\/path><\/svg> 13<\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCnSR7_Oq-MdsZxfogsfk-Ug_7viCk8xO188<\/span>\n

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\n\t\t\tPrince Paul - Introduction to Psychoanalysis (Schizophrenia)<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 8.6K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n February 27, 2020 4:00 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

\n
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\n \n \"Irvin\n\n
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\n \n \n \n

Irvin Yalom highlights how genuine connection can be much more impactful than analysis in the therapy room.<\/p>\n \n

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\n\t\t\tBeing Genuine in Therapy - Irvin Yalom and the Art of Psychotherapy<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 7.7K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n June 27, 2025 7:27 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

\n
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\n \n \"Isabel\n\n
\n
\n \n \n \n

Isabel Millar delves into her work on the psychoanalysis of artificial intelligence.
\n
\nDoes AI feel pleasure?
\n
\nWatch Isabel debate topics from the morality of sex to the dangers of self-reflection: https:\/\/iai.tv\/home\/speakers-and-authors\/isabel-millar?utm_source=YouTube&utm_medium=description&utm_campaign=the-psychology-of-ai-isabel-millar
\n
\nQuestions over artificial intelligence seem to dominate our contemporary. But underpinning the technology are an array of presuppositions - about thinking, knowledge and consciousness - that are in dire need of philosophical scrutiny. In this fascinating interview, Dr Isabel Millar discusses her work in challenging these assumptions by deploying the tools of psychoanalysis to the study of AI.
\n
\n#psychoanalysis #ai #artificialintelligence #lacan
\n
\nDr Isabel Millar is a groundbreaking philosopher and psychoanalytic theorist, currently working at Newcastle University and the Global Centre for Advanced Study.
\n
\n00:00 Introduction
\n00:24 What drew you to psychoanalysis?
\n02:19 The relationship
\rbetween AI and psychoanalysis
\n04:02 How should we understand intelligence?
\n05:22 Do you think we can establish one homogeneous idea
\r of what intelligence is?
\n06:42 If we can\u2019t define intelligence
\n07:50 'Jouissance\u2019 and AI
\n10:04 What are your thoughts on ChatGPT?
\n12:39 How effective is film in exploring philosophical matters?
\n14:27 What\u2019s the next area you\u2019re looking at?
\n16:35 Are the frameworks of psychoanalysis evolving
\ralongside modern technologies?
\n
\nThis interview took place at HowTheLightGetsIn Festival, Hay-on-Wye, in May 2023.
\n
\nThe Institute of Art and Ideas features videos and articles from cutting edge thinkers discussing the ideas that are shaping the world, from metaphysics to string theory, technology to democracy, aesthetics to genetics. Subscribe today! https:\/\/iai.tv\/subscribe?utm_source=YouTube&utm_medium=description&utm_campaign=the-psychology-of-ai-isabel-millar
\n
\nFor debates and talks: https:\/\/iai.tv
\nFor articles: https:\/\/iai.tv\/articles
\nFor courses: https:\/\/iai.tv\/iai-academy\/courses<\/p>\n \n

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\n\t\t\tThe psychoanalysis of AI | Isabel Millar | Full interview<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 6.8K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n June 5, 2025 2:00 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \"http:\/\/www.egs.edu\/\n\n
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\n \n \n \n

http:\/\/www.egs.edu\/ Bracha Ettinger. After the presentation of some of paintings and stills images taken from films, Bracha L.<\/p>\n \n

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\n\t\t\tBracha Ettinger. Rethinking Subject through Theology, Psychoanalysis and Levinas. 2013<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"Shop\n\n
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Shop personalized pen plotter art at:
\nhttps:\/\/drawscape.io<\/p>\n \n

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\n\t\t\tHint: He\u2019s the father of psychoanalysis\u2026#sigmundfreud #linesportrait #penplotterart<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 5.7K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n January 17, 2025 2:00 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

\n
\n
\n \n \"This\n\n
\n
\n \n \n \n

This is one of series of 70+ short videos introducing ideas of art theory, history, criticism, practice, and teaching. They are intended for visual art students, from the first year through the MFA. Together they introduce a coherent, cross-referenced vocabulary of some of the central ideas of both history and practice, such as the sublime, religion, criticism, politics, media, science, skill, and representation. Each video is free-standing, and can be viewed on its own; some also form sequences. A fairly full list of the lectures is given at the beginning of each video.
\n
\nAre these for everyone?
\nNothing is presupposed in any of these videos. If you're new to art, you should be able to watch all of them. At the same time, they are intended to raise the bar in undergraduate art education. The full set includes much more art theory than is normal in BA and BFA programs, and the videos are self-reflexive and self-critical throughout. Every judgment I discuss is open to question. There are videos here that ask whether art students should study art history at all, and videos that suggest reasons not to learn theory or concepts of art. There is also material here that is seldom taught even at graduate level, for example some remarks on how the traces of earlier kinds of teaching survive into the present, and material on the lack of good definitions of the BFA and MFA degrees. The idea is to let students understand all the conditions of their own education: how art is taught now, how it's taught in other places, how books of art history have nationalist perspectives, how masterpieces haven't always been valued, and where studio prompts and exercises come from (which are modernist, which are premodern).
\n
\nComments please
\nPlease leave comments and questions here. I'd especially like to hear about texts that you might assign to go with these lectures, class exercises (including drawing execerises) that could accompany them, and projects that arise from them. Please don't post on errors, unless they're major. It took a lot of work to make these, and I won't be revising them.
\nI am contemplating a teacher's guide, in print form, to go with these. If anyone is interested in that, or has ideas for it, let me know.
\n
\nCollaboration
\nI hope these can be a resource for teaching and learning, but I also hope this series can grow, both in the comments here and also with the addition of videos made by other people. If you have made a video that introduces a subject not covered here, or if you have a video with a different approach, please link it in the comments so it can become part of the community.
\n
\nPhilosophic issues
\nIt has been said that contemporary art is sufficiently pluralist so that it is effectively impossible to find a common vocabulary, or to define what counts as pertinent art theory.
\nPersonally speaking, I found it fascinating to choose the topics for this series, because it became necessary to make decisions about the number of topics, which topics can be usefully sketched in 20 minutes, and which topics are related to which others. (Initially there were exactly 56\u2014two sets of 28\u2014because at the School of the Art Institute, where these were made, the semesters are 14 weeks long, so the entire run of Concepts or History lectures could be done in a year. The current number of lectures is over 70.) It's relatively easy to name a couple dozen concepts and critics, but it is exceptionally difficult to figure out what shape the whole should take. It was a salutary exercise, because it helped me see that contemporary art is not a trackless domain of interrelated voices, but a language, or a language family, with patterns and affinities.
\n
\nA brief history
\nI composed, researched, wrote, and recorded these during the Covid pandemic. In 2020 they were used by the School of the Art Institute of Chicago in paid online seminars to raise money for African-American students. In 2020-21, SAIC began experimenting with requiring them in its first-year program. At that point I decided they should be open and free for everyone.<\/p>\n \n

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\n\t\t\tConcepts and Problems in the Visual Arts, Lecture C18: Lacan and psychoanalysis<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 5.1K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n January 9, 2022 10:13 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \"Psychoanalysis\n\n
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Psychoanalysis is sometimes thought of as a discipline that is focussed solely on the individual and biography. Ever since Freud's study of Leonardo Da Vinci, psychoanalytic readings of art have often emphasised the role of the author and his or her unconscious desires above all other factors. We see this especially in the history of scholarship on Louise Bourgeois, whose work is currently on display at the Scottish National Gallery of Modern Art in Edinburgh under the auspices of ARTIST ROOMS, and is also on view at The Fruitmarket Gallery until 23 February. Bourgeois studies have often been inseparable from her own interest in psychoanalysis, but also from questions about her biography and her own role in authoring it. This workshop, following on from the highly successful Future Bourgeois symposium at SNGMA\/The Fruitmarket Gallery on 7 February, will take a wider view, considering how we can use psychoanalysis to interpret art of all kinds without producing a psychobiography of the artist.
\n
\nOne key question will be whether psychoanalytic methods can help us to explain aesthetic experiences. As Stephen Frosh has argued, with its fluid model of 'self' and 'other', psychoanalysis provides arguably the most sophisticated model of our relations with the outside world. Might it help us to understand our reactions to works of art, or does recent research into 'neuroaesthetics' and other fields invalidate it? We will also ask whether psychoanalysis might help us to research the social history of the arts. There are certainly many studies that have used its methods for this purpose. For example, researchers who have used psychoanalytic ideas to analyse the role of ideology in cinema and the mass media (e.g. Slavoj Zizek and the 'Screen' journal in the 1970s & 80s), recent work on the psychoanalysis of art under conditions of war and other traumatic social situations (e.g. Mignon Nixon and Griselda Pollock), and writers who have used psychoanalytic concepts to analyse art in post-colonial contexts (e.g. Hal Foster on Primitivism, Gelder and Jacobs on the 'postcolonial uncanny' in Australian literature). How does psychoanalysis tell us about 'the social', and art's place in it? These are just some of the questions that will be raised in this workshop aimed at postgraduates and researchers, featuring a panel debate and short presentations on work in progress in the field.
\n
\n-INTRODUCTION
\n-PANEL DISCUSSION: WHAT DO WE ANALYSE WHEN WE PSYCHOANALYSE ART?
\n
\nCHAIR: David Hodge (School of Philosophy and Art History, University of Essex)
\nPANELIST 1: Anouchka Grose (Centre for Freudian Analysis and Research)
\nPANELIST 2: Dr. Beth Williamson (Tate)
\nPANELIST 3: Dr. Matt Ffytche (Centre for Psychoanalytic Studies, University of Essex)
\n
\nPSYCHOANALYSIS, ART AND WAR
\nKostas Stasinopoulos (University of York)<\/p>\n \n

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\n\t\t\tPsychoanalysis and the Arts p.1<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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Psican\u00e1lise & Arte Filme: Um M\u00e9todo Perigoso (Prime V\u00eddeo) Vamos analisar a intensa rela\u00e7\u00e3o entre Freud, Jung e Sabina ...<\/p>\n \n

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\n\t\t\tPsican\u00e1lise & Arte - Filme: Um M\u00e9todo Perigoso (Prime V\u00eddeo)<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n May 23, 2025 12:08 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \""Portrait\n\n
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"Portrait of a Painter" episode (1962), Naked City<\/p>\n \n

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\n\t\t\tArt Criticism as Psychoanalysis<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n
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\n \n \"http:\/\/www.egs.edu\/\n\n
\n
\n \n \n \n

http:\/\/www.egs.edu\/ Bracha L. Ettinger, Israeli-French psychoanalyst, painter, artist and feminist theorist, discussing her paintings, ...<\/p>\n \n

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\n\t\t\tBracha Ettinger. Psychoanalysis and Matrixial Borderspace. 2007 8\/11<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n July 25, 2007 8:35 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

\n
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\n \n \"\u06a9\u0627\u0631\u06af\u0627\u0647\n\n
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\u06a9\u0627\u0631\u06af\u0627\u0647 \u06f4 \u0633\u0627\u0639\u062a\u0647 \u0631\u0648\u0627\u0646\u06a9\u0627\u0648\u06cc \u062f\u0631 \u0627\u062f\u0628\u06cc\u0627\u062a \u0648 \u0647\u0646\u0631 \u0622\u0646\u0644\u0627\u06cc\u0646 \u0648 \u062d\u0636\u0648\u0631\u06cc \u062f\u0648\u0634\u0646\u0628\u0647 \u06f1\u06f2 \u0645\u0631\u062f\u0627\u062f \u0633\u0627\u0639\u062a \u06f1\u06f9 \u062a\u0627 \u06f2\u06f3 \u062f\u0631 \u0645\u0648\u0633\u0633\u0647 \u0641\u0631\u0647\u0646\u06af\u06cc \u0647\u0646\u0631\u06cc \u06a9\u0627\u0698\u0647 \u062b\u0628\u062a \u0646\u0627\u0645 \u0641\u0642\u0637 \u0627\u0632 ...<\/p>\n \n

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\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n July 25, 2026 6:55 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

\n
\n
\n \n \"Acesse\n\n
\n
\n \n \n \n

Acesse nosso site, assine gratuitamente e seja um membro do ESPEcast! www.especast.com.br\/
\n
\nOnde arte e psican\u00e1lise se encontram? Qual a vis\u00e3o da psican\u00e1lise sobre o fazer art\u00edstico? Neste epis\u00f3dio Daniel Omar Perez convida a Psicanalista e cineasta Josiane Orvatich para conversar sobre o encontro da psican\u00e1lise com arte.
\n
\nDaniel Omar Perez apresenta o ESPEcast para contribuir com o debate, a pol\u00eamica e a indaga\u00e7\u00e3o dos fen\u00f4menos que constituem as condi\u00e7\u00f5es, os resultados e a hist\u00f3ria da psican\u00e1lise, desde seu surgimento at\u00e9 suas formas de pr\u00e1tica cl\u00ednica, tanto quanto as filosofias e as outras ci\u00eancias que contribuem para seu pensamento. Este podcast busca indagar sobre quest\u00f5es cotidianas da vida ps\u00edquica e promover discuss\u00f5es, com profissionais da \u00e1rea e de \u00e1reas vizinhas, sobre algumas das interpreta\u00e7\u00f5es acerca da forma\u00e7\u00e3o ps\u00edquica, cultural e social do ser humano.
\n
\nSiga-nos nas redes sociais :
\nINSTAGRAM : https:\/\/www.instagram.com\/espe.cast\/
\nFACEBOOK : https:\/\/www.facebook.com\/espepodcast
\nSPOTIFY : https:\/\/open.spotify.com\/show\/64GF1bhJeHfPVZOzaUUKGa?si=01e6440e7fc84783
\n
\n
\nInscreva-se no canal e ative as notifica\u00e7\u00f5es! Cr\u00e9ditos :
\n Edi\u00e7\u00e3o e capta\u00e7\u00e3o : Emilia Ferrari
\nProdu\u00e7\u00e3o : Instituto Espe & Daniel Perez
\n
\nM\u00fasica : Bad Ideas - Silent Film Dark by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.<\/p>\n \n

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\n\t\t\tARTE E PSICAN\u00c1LISE I JOSIANE ORVATICH E DANIEL PEREZ<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 3.3K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n November 30, 2021 9:00 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \"THE\n\n
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THE ART OF PSYCHOANALYSIS \/ ALAN WATTS<\/p>\n \n

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\n\t\t\tTHE ART OF PSYCHOANALYSIS BY ALAN WATTS<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"Freud\n\n
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Freud e a arte Cronograma: ...<\/p>\n \n

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\n\t\t\tPsican\u00e1lise e Arte - Aula 1<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"Aula\n\n
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Aula gratuita com os psicanalistas Josiane Orvatich e Willian Mac-Cormick Desde seu in\u00edcio, a Psican\u00e1lise dialogou com a arte e ...<\/p>\n \n

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\n\t\t\tPsican\u00e1lise, Arte e Literatura: as Emo\u00e7\u00f5es Tr\u00e1gicas em Cena<\/span>\n\t\t<\/p>\n\t\n\t\t\t

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\n \n \"\u0425\u0443\u0434\u043e\u0436\u043d\u0438\u043a\n\n
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\u0425\u0443\u0434\u043e\u0436\u043d\u0438\u043a \u0432\u043e \u0432\u0440\u0435\u043c\u044f \u043f\u0435\u0440\u0444\u043e\u0440\u043c\u0430\u043d\u0441\u0430 \u043f\u043e\u043c\u0435\u0449\u0430\u0435\u0442 \u0441\u0432\u043e\u0435 \u0442\u0435\u043b\u043e \u0432 \u043f\u0440\u043e\u0441\u0442\u0440\u0430\u043d\u0441\u0442\u0432\u043e \u0440\u0435\u043f\u0440\u0435\u0437\u0435\u043d\u0442\u0430\u0446\u0438\u0438 \u0438 \u0432\u043b\u0430\u0441\u0442\u0438 \u0432 \u0448\u0438\u0440\u043e\u043a\u043e\u043c \u0441\u043c\u044b\u0441\u043b\u0435 \u0441\u043b\u043e\u0432\u0430: ...<\/p>\n \n

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\n\t\t\t\u041b\u0435\u043a\u0446\u0438\u044f \u0413\u043b\u0435\u0431\u0430 \u041d\u0430\u043f\u0440\u0435\u0435\u043d\u043a\u043e \u00ab\u0427\u0442\u043e \u043c\u043e\u0436\u0435\u0442 \u0440\u0430\u0441\u0441\u043a\u0430\u0437\u0430\u0442\u044c \u043f\u0441\u0438\u0445\u043e\u0430\u043d\u0430\u043b\u0438\u0437 \u043e \u043f\u0435\u0440\u0444\u043e\u0440\u043c\u0430\u043d\u0441\u0435?\u00bb<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n November 7, 2014 2:55 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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Subscribe to our Channel and don't miss next Episodes!
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\nThe psychoanalysis in Art has its roots in Sigmund Freud's essays on Art and Literature. In this Series, we tell about some of the most important topics of Psychoanalysis in Art. In this Episode we try to answer the question what is psychoanalysis in art? In this documentary, Art Historian Dr. Andrea Cilento tells about some of the crucial topics of psychoanalysis in Art.
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\n \n <\/path><\/svg> 44<\/span>\n <\/span>\n \n <\/path><\/svg> 0<\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCzsugJ1987kccEbCoGMcf0g_Pa-Zs0CHH8I<\/span>\n

\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n
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\n\t\t\tWHAT IS PSYCHOANALYSIS IN ART? How to Understand Art through Psychoanalysis, with Dr. Andrea Cilento<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 2.5K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n December 31, 2021 8:16 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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\n \n \"Discussion\n\n
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Discussion Post Week 7: Methodologies of Art History<\/p>\n \n

\n \n <\/path><\/svg> 49<\/span>\n <\/span>\n \n <\/path><\/svg> 3<\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCxMil49Ydtcu1t9jHYt0UZw_ghAsHfXbht4<\/span>\n

\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n
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\n\t\t\tPsychoanalysis and Art<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 2.1K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n December 11, 2020 9:48 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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by Dr. Krishna Mahawar (Visual Artist) Asst. Professor, Fine Arts University of Rajasthan, JAIPUR Fine Arts Theory, Arts, Aesthetics ...<\/p>\n \n

\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UC2CCgkVoj9gY_-PlPyEUaIw_7eFysqIp_og<\/span>\n

\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n
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\n\t\t\t\u0938\u093f\u0917\u094d\u092e\u0902\u0921 \u092b\u094d\u0930\u093e\u092f\u0921 \u0915\u093e \u092e\u0928\u094b\u0935\u093f\u0936\u094d\u0932\u0947\u0937\u0923 \u0914\u0930 \u0938\u094c\u0902\u0926\u0930\u094d\u092f\u0936\u093e\u0938\u094d\u0924\u094d\u0930<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n July 19, 2023 9:34 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

\n
\n
\n \n \"Eis\n\n
\n
\n \n \n \n

Eis o projeto: https:\/\/docs.google.com\/document\/d\/1MrsGMDimr8bqop5IBAT22_07LA1y3PUmvD4uLIVxQNY\/edit?usp=sharing.<\/p>\n \n

\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n \n <\/path><\/svg> <\/span><\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCpp6l9j-Tcf6dFRLQazHsYg_G7wvlf2SUAE<\/span>\n

\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n
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\n\t\t\tPsican\u00e1lise, arte e cl\u00ednica: di\u00e1logos entre Laplanche e Didi-Huberman<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n September 1, 2018 12:12 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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Acesse nosso site, assine gratuitamente e seja um membro do ESPEcast! www.especast.com.br\/ Daniel Omar Perez apresenta o ...<\/p>\n \n

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\n <\/span>\n <\/path><\/svg> <\/div>\n <\/span>\n <\/a>\n\n \n <\/div>\n\n
\n\n\t\t\t

\n\t\t\tARTE E PSICAN\u00c1LISE I Bianca Dias e Daniel Perez<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n <\/span> views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n February 15, 2022 3:00 am<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div>

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Support us by clicking the like button and subscribing to the channel, a small and free gesture for everyone but a huge motivation for us to grow and bring you more interesting content. On behalf of the team, I sincerely thank you all very much.<\/p>\n \n

\n \n <\/path><\/svg> 28<\/span>\n <\/span>\n \n <\/path><\/svg> 3<\/span>\n <\/span>\n <\/p>\n \n <\/div>\n <\/div>\n\n YouTube Video UCbFo3FZ-y-bgcOQJFyH1MQw_llYSeesAQtE<\/span>\n

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\n\t\t\tALAN WATTS - ART OF PSYCHOANALYSIS<\/span>\n\t\t<\/p>\n\t\n\t\t\t

\n\n\t\t\t\t\t\t\t\t\t\t\n 1.5K views<\/span>\n <\/span>\n\t\t\t\t\t\t\t\t\t\t\n February 17, 2024 1:00 pm<\/span>\n <\/span>\n\t\t\t\t\t<\/p>\n\t\n\t\n\t\n<\/div>\n <\/div>\n<\/div> <\/div>\n \n\t

\n\n\n<\/div>\n \n\t<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-41","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/pages\/41","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/comments?post=41"}],"version-history":[{"count":1,"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/pages\/41\/revisions"}],"predecessor-version":[{"id":42,"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/pages\/41\/revisions\/42"}],"wp:attachment":[{"href":"http:\/\/arthistory.tv\/play\/wp-json\/wp\/v2\/media?parent=41"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}