The Russian Futurism

“The caffeine of Europe,” as he liked to call himself, Filippo Tommaso Marinetti was the godfather of Futurism, Italy's most coherent artistic movement of the 20th century. In this video, you'll learn why Futurism attacked traditions, promoted "the beautiful ideas which kill" and claimed that beauty exists only in struggle.

#Art #Futurism #CuriousMuse

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Russian Constructivism represents a unique interpretation of Modernism, emerging as a transformative art movement during the social and industrial revolutions of the 19th and 20th centuries. In this presentation, created for the Fine Arts 331 course on Art and Technology at Washington State University, Vancouver, we delve into the principles, influences, and key figures of Constructivism. Join us as we uncover how this movement sought to redefine art's role in society and reflect the dynamic changes of its time.

References:

Ferdine. (2008, May 18). Russian Constructivism: Revolutionary Art and Design. Quazen. http://quazen.com/arts/visual-arts/russian-constructivism-revolutionary-art-and-design/

Terras, V. (1990). Handbook of Russian Literature. Yale University Press.

Wachtel, A. (2002). Constructivism. In Early 20th Century Russian Drama. Northwestern University. https://max.mmlc.northwestern.edu/mdenner/Drama/index.html

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It's time to go Back...to the Future. By which I mean, we're going back into the past to talk about Futurism. Which seems like it would be cool, but it was started by this terrible guy Martinetti, who also wrote the Italian Fascist manifesto. He was just the worst, but, at least he was the worst in a way that makes a pretty compelling video.
We'll also check in with the Russian theater, and learn about generally nicer Futurist Vsevolod Meyerhold, who also was vey influential in constructivism. So get ready to fire up the meaning machine and learn!

Crash Course is on Patreon! You can support us directly by signing up at http://www.patreon.com/crashcourse

Thanks to the following Patrons for their generous monthly contributions that help keep Crash Course free for everyone forever:

Sam Buck, Mark Brouwer, Jennifer French Lee, Brandon Westmoreland, dorsey, Indika Siriwardena, James Hughes, Kenneth F Penttinen, Trevin Beattie, Satya Ridhima Parvathaneni, Erika & Alexa Saur, Glenn Elliott, Justin Zingsheim, Jessica Wode, Eric Prestemon, Kathrin Benoit, Tom Trval, Jason Saslow, Nathan Taylor, Brian Thomas Gossett, Khaled El Shalakany, SR Foxley, Sam Ferguson, Yasenia Cruz, Eric Koslow, Caleb Weeks, Tim Curwick, D.A. Noe, Shawn Arnold, Malcolm Callis, Advait Shinde, William McGraw, Andrei Krishkevich, Rachel Bright, Kathy & Tim Philip, Jirat, Ian Dundore
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Hearts of Iron IV Red Flood Mod - Kavkaz Society
Music used: Scriabin: The Poem of Ecstasy
This man is more like a right accelerationist, removing left wing influences in Kavkaz, ultimately joing League Solar
#heartsofiron4
#redflood
#kavkaz
#sovietunion
#sovietrussia
#russia
#georgia
#futurism
#accelerationism
#鋼鐵雄心4
#俄羅斯
#高加索

*Disclaimer*
This video does not aim to promote any kind of extremism
All the settings of this video based on a game and the video does not represent the stance of the author, the author does not meant to violate any laws of HKSAR

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This video discusses the meaning of Futurism as an artistic and philosophical doctrine.

For the full transcript of this video lecture, see: https://philonotes.com/2023/04/what-is-futurism

***
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Feel free to share your thoughts in the “comments” section below, or hit the "Like" button if you find this material helpful!

Thanks! PHILO-notes

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We are coving a quick summary of the history of Russian futurism. What are the inspirations they had and who are the people? The focus will be Vladimir Mayakovsky and Velimir Khlebnikov. Russian futurism is quite different from Italian futurism. Women are quite an important part of Russian futurism, While many would call Italian futurism sexist. In red flood this is called kavkaz society.

There is more people I could talk about like David Burliuk. But if I go into detail there is about 10 other people work talking about also.

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00:00 intro
01:00 joke
01:13 history of Russian futurism
03:37 velimir chlebnikov
05:11 vladimir majakovskij
06:33 social realism and futurism mixed
09:04 Natalja Gontjarova
09:37 RedFlood and shilling

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CW: animal cruelty, disturbing images

We explore the intersection of propaganda and retrofuturism with the Russian science magazine Tekhnika Molodezhi and other examples of Soviet Futurism!

related material:

Interplanetary Revolution 1924 Soviet Cartoon
https://www.youtube.com/watch?v=k0FeYyPoOE0

T-M Archive 1933-2012
http://zhurnalko.net/journal-2

1957 - The Russians Sent Dogs Into Space to Die
https://www.youtube.com/watch?v=92NtoJ_uLpM

Vostok 1 mission (Yuri Gagarin)
https://www.youtube.com/watch?v=Qfz5B2uERcE

Valentina Tereshkova, first woman cosmonaut
https://www.youtube.com/watch?v=8XbdkbpSZTE

music:
Eduard Artemiev - Music from the movie The Courier

I do not own any of the content presented. Credit to the copyright holders and thanks to the original uploads. Let me know if you want a clip sourced.

For the purpose of review/education.

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Follow us on Spotify: https://open.spotify.com/user/bcuzo145j3kpixhq7qzr9pjun

www.picsandportraits.com

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Provided to YouTube by IDOL

Russian Futurism · Arms and Sleepers

Russian Futurism

℗ Future Archive Recordings

Released on: 2020-03-11

Composer: Max Asher Lewis
Composer: Mirza Ramic

Auto-generated by YouTube.

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Space Station, Retro Futurism, Russian Science Fiction, 1957, HD from the Kinolibrary Archive Film Collections. To order the clip clean and high res or to find out more visit http://www.kinolibrary.com.
Clip ref AB268
Subscribe for more high quality, rare and inspiring clips from our extensive archive of footage.

INT LA woman, female scientist looking up through huge telescope. Animation, space ship, space station. INT space station, man and woman walk through door. Space ship, female crew. Futuristic bedroom, living room, cat, pictures of family. Woman on space station watching TV on screen. Greenhouse, trees, plants growing on space station. Scientists, astronauts communicating by screen. Like Skype. Retro-futurism.

Kinolibrary is a commercial archive film agency supplying high quality, rare and inspiring footage to media professionals. Our collections cover a wealth of eclectic and intriguing themes, locations and eras. Visit http://www.kinolibrary.com for more info.

WEBSITE: http://kinolibrary.com/
TWITTER: https://twitter.com/thekinolibrary
FACEBOOK: https://www.facebook.com/Kinolibrary/
INSTAGRAM: https://www.instagram.com/kinolibrary/

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'Russian Futurism' is the lead single taken from the new Arms and Sleepers EP 'Eastern Promises', out 03 April 2020 on Future Archive Recordings.

Music video by madeByhujo (http://www.madebyhujo.com).

NEW EP OUT NOW:
https://ffm.to/eastern-promises

________________________________

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An introduction to the films of Soviet director Pavel Klushantsev.

Related material:

Cosmic Voyage (1936)
https://www.youtube.com/watch?v=71HgQ0JNE7E

Метеориты. Meteors / Meteoroid (1947) by Pavel Klushantsev
https://www.youtube.com/watch?v=yHURLhTaHhA

Road To The Stars (1957)
https://www.youtube.com/watch?v=9CX0oSjwLqI

Planet Of Storms (1962) - ENG subtitles
https://www.youtube.com/watch?v=-VTF23EFvEM

The Moon. ЛУНА (Luna, 1965)(restored color) by Pavel Klushantsev
https://www.youtube.com/watch?v=aT1s5s2LurM

Mars (1968)
https://www.youtube.com/watch?v=emHceVL8Bmk

I See the Earth! 
https://www.youtube.com/watch?v=fwWLyXDSeKE

Music:
Boris Tihomirov - Elektronnyi Budilnik
Dmitriy Ivankov - Phobos

I do not own any of the content presented. Credit to the copyright holders and thanks to the original uploaders.

If you want a clip sourced or removed, please contact me at info@picsandportraits.com

For the purpose of review/education.

SUPPORT US ON PATREON: https://www.patreon.com/picsnportraits

Follow us on Twitter: https://twitter.com/picsnportraits​​

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Follow us on Spotify: https://open.spotify.com/user/bcuzo14​​...

www.picsandportraits.com

#futurism #retrofuturism

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Noise Orchestra started as an art project inspired by 1920s Russian futurist artists who were working with mechanical sound and has evolved into an organisation that creates installations, education and workshops - now branching out into DIY kits for light triggered instruments and noise sources.

Download Loopcloud for free at http://bit.ly/2Iziao4

Frozen Reverbs Racks for Live: http://bit.ly/freezemachines

Subscribe to Sonicstate on YouTube for new content!
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Watch Sonicstate's Exclusive Series:
Sonic LAB: http://bit.ly/SonicLab
Meet The Makers: http://bit.ly/SonicMakers
Sonicstate Performances: http://bit.ly/SonicPerformances
Sonic TALK Podcast: http://bit.ly/SonicTalk
NAMM 2018: http://bit.ly/namm18sonic

Website: http://www.sonicstate.com
Twitter: http://www.twitter.com/#!/sonicstate
Facebook: http://www.facebook.com/wwwsonicstate
Instagram: http://www.instagram.com/sonicstateuk
Podcast/iTunes: https://goo.gl/4uOFA5

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overview of Russian cubo-futurism - zaum
the poetry of Aleksei Kruchenykh and Velimir Khelinbov

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Space Race, Russian Retro Futurism, 1950s, 1960s, HD from the Kinolibrary Archive Film Collections. To order the clip clean and high res or to find out more visit http://www.kinolibrary.com. Clip ref AB268
Subscribe for more high quality, rare and inspiring clips from our extensive archive of footage.

WS rows of rockets raised up on hillside, science fiction, futuristic, sci-fi. INT office, meeting, scientists looking at model space rocket, man writes on board, touch screen. Men building rockets.

Kinolibrary is a commercial archive film agency supplying high quality, rare and inspiring footage to media professionals. Our collections cover a wealth of eclectic and intriguing themes, locations and eras. Visit http://www.kinolibrary.com for more info.

WEBSITE: http://kinolibrary.com/
TWITTER: https://twitter.com/thekinolibrary
FACEBOOK: https://www.facebook.com/Kinolibrary/
INSTAGRAM: https://www.instagram.com/kinolibrary/

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Space Rocket Launch, Retro Futurism, 1960s Russian Sci Fi, 16mm from the Kinolibrary Archive Film Collections. To order the clip clean and high res or to find out more visit http://www.kinolibrary.com.
Clip ref AB268
Subscribe for more high quality, rare and inspiring clips from our extensive archive of footage.

Animation, rocket flying in upper atmosphere. INT astronauts in space flight. CU astronauts wiping sweat off faces.

Kinolibrary is a commercial archive film agency supplying high quality, rare and inspiring footage to media professionals. Our collections cover a wealth of eclectic and intriguing themes, locations and eras. Visit http://www.kinolibrary.com for more info.

WEBSITE: http://kinolibrary.com/
TWITTER: https://twitter.com/thekinolibrary
FACEBOOK: https://www.facebook.com/Kinolibrary/
INSTAGRAM: https://www.instagram.com/kinolibrary/

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#Powerhouse#StopTheSilence#armsandsleepers#НОЙЗ

Седьмой Джем!

Arms and Sleepers - электронный проект музыканта из США, Мирзы Рамича. Музыка Arms and Sleepers представляет собой смесь downtempo, trip-hop'а и ambient'а, а свои выступления Мирза сопровождает уникальными видеорядами от Виктора Феррейра.
Мы провели съемки в интерьерах московского клуба Powerhouse, перед выступлением Arms and Sleepers в рамках приуроченного к выходу нового альбома тура. Мирза исполнил новый сингл Russian Futurism, вышедший аккурат в день съемок.

Большое спасибо Stop The Silence и лично Виталию Зимину за возможность проведения съемок, а также спасибо самому Мирзе за приятную беседу и дружелюбность!

Официальный сайт артиста - http://armsandsleepers.com/

Официальный сайт Stop The Silence - http://www.stopthesilence.ru/

_____________________________________________________
Отдельное спасибо ребятам из Loud Lemon и DMTR Pedal Shop за поддержку
https://loud-lemon.com
https://dmtrpedals.ru/

А также спасибо нашим друзьям - музыкальным трек-блогам g:untitled и лессехор:
https://vk.com/g_unttld
https://vk.com/lessehor
_____________________________________________________

And here's our Seventh Jam!

Arms and Sleepers is USA electronic project by Mirza Ramic. It's a mix of downtempo, trip-hop and ambient, with it's own character and style. Live-performances are synchronized with cinematic visuals created by Victor Ferreira.
We've shoot Arms and Sleepers in Powerhouse Moscow club, right before his performance as a part of his new album release tour. Mirza played his new single "Russian Futurism" released just at the same day!

Thanks to our pals from Stop The Silence, especially to Vitaly Zimin, for the opportunity to shoot Arms and Sleepers. And special thank to Mirza!

Arms and Sleepers website - http://armsandsleepers.com/

Stop The Silence website - http://www.stopthesilence.ru/
_____________________________________________________

Special thanks to our pals from Loud Lemon and DMTR Pedals music stores for their help and respect.
https://loud-lemon.com
https://dmtrpedals.ru/
_____________________________________________________

Instagram
https://www.instagram.com/noise.channel/

Вконтакте
https://vk.com/noise.channel

Facebook
https://www.facebook.com/noisechannelrus

Twitter
https://twitter.com/ChannelNoise

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On October 30, 2015, the NYU Jordan Center for the Advanced Study of Russia hosted the launch of the English-language edition of Vasily Kamensky’s “Tango with Cows,” curated by Eugene Ostashevsky and Daniel Mellis.

Tango with Cows, a book of Russian Futurist visual poetry, was published in the spring of 1914, at roughly the same time as the Zang Tumb Tumb of F.T. Marinetti and the first calligrammes of Guillaume Apollinaire. The Petersburg avant-garde writer Kamensky became the first European poet to train as an airplane pilot until crashing his Blériot XI during a show flight returned him to literature. As third partner of the Russian Futurist tour of 1913-1914 with Vladimir Mayakovsky and David Burliuk, Kamensky eagerly innovated in the fields of book art and visual poetry, printing his typographical experiments on brashly colored wallpaper. Composed at the height of the Russian tango craze, Tango with Cows provides us pictures of Moscow’s nightlife circa January 1914—the movies, the circus, the skating rinks, the modernist art gallery, the after-hours clubs, and, last but not least, the public baths—as it reminisces about the author’s flying over Warsaw and sailing to Constantinople. Ostashevsky and Mellis’s typographic translations of Kamensky, winners of the PEN/Heim Translation Fund grant, are being issued to celebrate the hundredth—or rather the hundred-and-first-and-a-halfth–anniversary of the original Russian publication.

Link to written event recap: http://jordanrussiacenter.org/event-recaps/daniel-mellis-eugene-ostashevsky-recreate-vasily-kamenskys-tango-cows/#.WYIo1tPytOE

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«Прекрасное далёко, не будь ко мне жестоко.» Никогда не понимал саму суть просьбы из строчки этой детской песенки: почему это, собственно, я должен заранее просить у этого «далёка» какой-то пощады, даже если оно для кого-то и наступило.

Сейчас я выведу пару законов о будущем, за которые меня могут лишить диплома инженера. Да и наплевать!

Первый Закон будущего гласит, что Будущее наступает только лишь в тот момент, когда происходит напряжение между двумя контактами: тебя настоящего и твоими желаниями — которые и есть суть будущее. И тогда начинает что-то происходить, лампочка надежды загорается, ты начинаешь видеть свет в конце туннеля.

Второй Закон будущего уже более гуманистический и поможет, если нарушен Первый (ну то есть если тебе ничего не хочется, и т. д.). Будущее наступает сразу же, как только ты даёшь себе второй шанс. Вот и всё, очень просто. В противном случае, как бы не сменялись дни, уныние настоящего будет затягивать в прошлое. А в прошлом, как известно, живут злобные лангольеры.

Вопросами будущего в нашей «Лаборатории» сегодня занимается московский продюсер Mallowkid. Она особо не светится в социальных сетях, наслаждается итальянскими видами и выпускает странные интеллектуальные электронные треки. А вот буквально несколько дней назад она зарелизила альбом «Second Chance», в котором даёт себе второй шанс и сразу же в нескольких треках разбирается с будущим.

Я выбрал самый яркий, на мой взгляд — Futurism. Это как первая прогулка по токийскому району Харадзюко, когда за 3 с половиной минуты ты успеваешь увидеть столько, сколько не удавалось видеть до того за всю жизнь.

Mallowkid и композиция Futurism. Прекрасное далёко... ну-ка, пошевеливайся там уже!

С вами был заведующий «Лабораторией Русской кибернетики» Александр Киреев, до встречи ровно через неделю!

Друзья, открывайте для себя новую электронную музыку России, стран СНГ, бывшего СССР и восточной Европы вместе с национальным клубным проектом «Русская кибернетика» и его ведущими Евгением Сваловым (4Mal) и Александром Киреевым!

Новые эпизоды «Русской кибернетики» вы всегда найдёте онлайн:
Google Podcasts: https://bit.ly/3b5ITGd
Apple Music / iTunes: https://itun.es/i67C749
VK: https://vk.cc/av6kf0
Яндекс.Музыка: https://music.yandex.ru/album/6917036
Spotify: https://spoti.fi/3h2zkLQ
Soundcloud: https://soundcloud.com/russiancyber/
Mixcloud: https://www.mixcloud.com/4Mal/

Instagram с анонсами и эксклюзивами: https://instagram.com/ruscyber

Сообщество в Фейсбуке: https://www.facebook.com/russiancyber
Сообщество в ВК: https://vk.com/ruscyber

Канал в Телеграме: https://t.me/ruscyber
Анонсы в Твиттере: https://twitter.com/russiancyber
Канал на Youtube: https://www.youtube.com/c/russiancyber

Хэштеги для связи в соцсетях:
#ruscyber и #русскаякибернетика

Отправьте ваши треки в редакцию: http://promo.russiancyber.net/
Отправьте заявку на вечеринку «Русская кибернетика» или 4Mal DJ-сет: http://dj.russiancyber.net/

#modernrussianelectronica #makerussiagreatagain
#house #deephouse #techhouse #progressivehouse
#indiedance #nudisco #ruscyberlab #dj

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Futurism
Performed by various artists of Arte Nova Classics

Released in 2008

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After the Russian Federation declared war on the United States, gaining war support was nearly impossible due to the Kiev treaty (Peace treaty of Ukraine,) While Putin not expecting it, the whole EU declared war on Russia to help the United States. After the Communists, Facists, And Capitalists in the country heard about it, the Russian Federation collapsed into many factions.

This country, the East Russian Futurism Republic (or the E.R.F.R) focuses on the future more than itself, it wants a new world that focuses on unity.

(------------(°Creditz!1!1!°)-----------)

Wonderous future:
https://m.youtube.com/watch?v=Bjp1nrdfs0g&pp=ygUPd29uZHJvdXMgZnV0dXJl

(------------(°Tags1!°)-----------)

#history #fictional #ingen #idk #heartsofironiv #hoi4 #melonplaygroud #mpg #msb #greatwar #fictional #future #russia #russian #russiancivilwar #russiaukraineconflict #germany #everybodywantstoruletheworld

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Official music video for Russian Futurism, taken from the 2020 EP Eastern Promises. Directed by Victor Ferreira.

http://vevo.ly/84TFtm

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onykwk39@gmail.com
David Davidovich Burliuk, Ukrainian/Russian (1882 - 1967)
David Burliuk was a central figure in the history of the Russian avant-garde movement as an accomplished poet, art critic, and exhibition organizer. "He was one of the world's first hippies, and painted the words 'I Burliuk' on his forehead and stood on street corners reciting poetry."
He was born into a privileged class of Russian society. His wife was educated with the Czar's children, and he was well positioned to become an artistic leader. Burliuk studied at the Kazan School of Fine Arts in 1898 and then studied in Odessa, Moscow, Munich, and in Paris at the Ecole des Beaux Arts. His early works were fauve-like, "violent in color and heavy with paint" and were exhibited with the Blue Riders in Munich.
In Russia, as a breaker of artistic tradition, he was expelled in 1911 from the Moscow Institute. With other futurists, he undertook a public campaign with lectures, journals and films--all focused on the craziness of modern, industrial life.
With the advent of World War I, he left Russia and traveled for four years including to Siberia, Japan, and the South Seas. To start all over again, he moved to America in 1922 and settled on Long Island where he continued to paint until his death there in 1967. After his arrival in New York in 1922, he struggled to survive, but he would eventually gain a significant following in American would end up widely exhibiting his paintings up until two years before his death in 1967. The 1965 introductory note for Burliuk's final exhibition, Farewell Exhibition of New Paintings which was held at the ACA Gallery in New York, poignantly summarizes the artist's career: "Through the years, Burliuk has traveled the world over, painting in many countries and returning with the fruits of his labors to give many memorable exhibitions. Today, a Burliuk evokes a glowing and vibrant recollection of his early years, as well as his enduring love of nature. His brilliantly colored canvases are ablaze with vitality and the joy of living."
His subjects range from neo-primitive paintings to peasant life in Russia to futurist depictions of South Sea fishermen. Much of his painting in Russia vanished in the Russian Revolution. Throughout his life, Burliuk was innovative, energetic and upbeat. In the United States, he developed his "radio style", a style that involved symbolism, neo-primitivism, and expressionism. "But Burliuk's early work in pre-revolutionary experimental art was his most creative."
大衛·多維奇·伯利亞克，烏克蘭/俄羅斯（1882年至1967年）
戴維·伯克是在俄羅斯的前衛運動的歷史作為一個有成就的詩人，藝術評論家，以及展會主辦方的中心人物。 “他是世界上第一個嬉皮士之一，並塗寫著”我伯利亞克“在他的額頭和站在街角背詩。”
他出生於特權階級的俄羅斯社會。他的妻子與沙皇的子女教育，他能很好地成為藝術領袖。 伯利亞克就讀於美術學院喀山在1898年，然後在敖德薩，莫斯科，慕尼黑研究，並在巴黎的巴黎美術學院。他的早期作品是野獸派狀，“在色彩的暴力和重配漆”，並展出了在慕尼黑的藍騎士。
在俄羅斯，由於藝術傳統的斷路器，他在1911年從莫斯科學院開除。與其他未來學家，他答應與演講，雜誌和電影一個公共活動 - 都集中在現代工業生活的瘋狂。
隨著第一次世界大戰的到來，他離開俄羅斯，前往四年，包括西伯利亞，日本和南海。要從頭再來，他於1922年移居美國，並在長島定居在那裡他繼續在1967年有畫畫，直到去世，他在紐約的到來，1922年後，他掙扎著生存，但他最終還是會獲得顯著在美國之後竟又廣泛展出他的畫作，直到他於1967年。1965年按語伯利亞克的最後展覽，這是在ACA畫廊在紐約舉行新作品的告別展去世前的兩年裡，尖銳地總結了藝術家的職業生涯。 “這些年來，伯利亞克周遊世界各地，畫在許多國家，並與他的勞動成果返回給許多難忘的展覽。今天，伯利亞克喚起一個容光煥發的他早年充滿活力的回憶，以及他的不朽對大自然的熱愛。他的色彩鮮豔的畫布上滿是活力和生活的樂趣“。
他的主題從新原畫到農民生活在俄羅斯的南海漁民的未來學家的描繪。他的大部分在俄羅斯繪畫的消失在俄國革命。縱觀他的一生，是伯利亞克創新，充滿活力和樂觀。在美國，他開發了他的“廣播式”，所涉及的象徵，新原始主義，和表現風格。 “但伯利亞克革命前的實驗藝術在早期的工作是他最有創意的。”

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Moscow, October 19, 2021. The Pushkin State Museum of Fine Arts in Moscow has opened an exhibition titled “Free Art. Italian Futurism from the Gianni Mattioli Collection” that will run through January 16, 2022: 26 futurist and metaphysical masterpieces from the art collection of Italian businessman Gianni Mattioli (1903-1977). The 'Portrait of Frank Haviland Burty', created in 1914 by Amedeo Modigliani in Expressionism style had been previously previewed at Villa Berg, the Embassy of Italy in Moscow, in the presence of Giorgio Starace (Italian Ambassador to the Russian Federation), Marina Loshak (Director of the Pushkin State Museum of Fine Arts) and Yelena Stepkina (Art Exhibition's Curator).

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Globus Books presents James Richie's talk Translating Futurism: Khlebnikov and Guro.

As an artistic and literary movement, Russian futurism has diverse origins. Foremost, it is an extension of Italian futurism, which was an Avant-guard movement, which emerged from charismatic figures like F.T. Marinetti. The Russian futurists, however, reject the Fascist tendencies of the Italian movement. There was also substantial influence from previous Russian art (impressionism) and literature (symbolism). James Richie will discuss the work by artist Elena Guro whose work evidences many of the trends in the transition from symbolism to futurism. As it became established, futurism adopted a poetics called “zaum” or “beyonsence” (meaning beyond the sensical) which challenged the very conventions of language itself. Velimir Khlebnikov, a master of this poetic style, will be the other writer discussed.

James Richie is originally from Minnesota. He holds a Master of Arts in Language, Literature, and Translation from the University of Wisconsin-Milwaukee. While he primarily studied Italian to English translation, his interest in Italian literature and the Russian language lead him to have a strong interest in the Russian futurist movement. He has published English translations of works by Khlebnikov, Kruchyonikh, and Guro. He frequently publishes translations in Four Centuries – Russian Poetry in Translation, and his translation of a Guro play will be published in the December 2020 issue of the University of Zadar’s [sic] - a journal of literature, culture and literary translation. He also publishes translations of Italian and Spanish translations in Ezra an Online Journal of
Translation. He read his translation of a Khlebnikov poem as part of this year’s Alexis Levitin Bilingual Reading Series at the American Literary Translators Association Conference.

GLOBUS BOOKS is an independent bookstore serving San Francisco since 1971. It offers a wide-ranging stock of books on all things Russia. Globus is actively working with the libraries across the states on completing their holdings for Russian publications, both contemporary and out-of-print. The Globus Books team is well-known for its expertise in first editions of Russian literature, books on the Russian avant-garde, early imprints and travel and voyage books. Under the new management, Globus strives to serve the Bay Area, bridging gaps, continuing cultural traditions and giving voice to unrepresented communities in Russia and the US. Globus Books features several series of literary and cultural events on its YouTube Channel (https://www.youtube.com/c/GlobusBooksSF), including Literary Translation Round Table, History/Anthropology, Playtime and Storytime for children and more.

This program is produced and hosted by author Zarina Zabrisky.

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Wiki Videos
Text: Creative Commons 2.0 wikipedia.com
Music : all rights reserved - SOCAN

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This week we are joined by Dr Daria Melnikova, Robert and Lisa Sainsbury Fellow at the Sainsbury Institute, to discuss the art movement of Futurism in the early 20th century and how collaborating Russian and Japanese artists within the movement challenged its founding principles and Eurocentric nature.


Japanese time periods mentioned:

Taishō period: 1912-1926 AD


Image credits:
[L] Kinoshita Shūichirō, A Maiko Hitting a Drum (1921) painting, published as a postcard by the Arts and Crafts Association, Tokyo. Work destroyed (photograph provided by Omuka Toshiharu)


[R] Fumon Gyo, Deer, Youth, Light, Cross (1920) oil on canvas 64.7 x 80 cm, Nara Prefectural Museum

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Futurism is not just an artistic sensibility but first and foremost a way of thinking. Futurists declared a cult of the future and set out to create a new formal aesthetics and with it a new type of society conjoined by shared labour. The Soviet Russia took on the ideas of futurists with enthusiasm. The projects of Russian avant-garde architects – El Lisitsky, Ivan Leonidov, Yakov Chernikhov and many others – had a defining influence on architecture all around the world. Many international architects pay homage to Russian futurist designs and evolve their ideas of the interconnection of architecture and social innovation.

What is the secret of the influence of Russian Futurism?
What was its impact on the revolution and the emergence of a new country?
How did it affect the culture and architecture of the 20th century in Russia and in the world?
Have the ideas of Futurism been exhausted and if it is necessary to give them a new sound?

MODERATOR:
Alexandr Ostrogorsky
Lecturer, Moscow Architecture School MARCH

SPEAKERS:
Vladimir Paperny
Architectural Critic

Sergei Sitar
Theory and History module leader, MARCH Architectural School

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